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103. Australian director Peter Weir’s Australian film “The Last Wave” (Black Rain) (1977): Australian cinema at its best, connecting dreams and reality

104. The late Argentine director Fabián Bielinsky’s “El Aura” (The Aura) (2005): A mind–bending thriller that takes you beyond guns, women and lucre

105. French director Pierre Granier-Deferre’s “Le Chat” (The Cat) (1971): True love which the wrecking balls of change cannot demolish

106. Iranian director Mohsen Makhmalbaf’s “Safar e Gandehar” (Kandahar) (2001): An ode to a tragedy called Afghanistan

107. Canadian director Neil Diamond’s documentary film “Reel Injun” (2009): A documentary that helps a viewer re-evaluate what cinema makes the viewer believe to be true

108. Iranian screenplay-writer and director Majid Majidi’s film “Baran” (Rain) (2001): A Sufi take on the mosaic of Iran

109. Russian director Aleksei Fedorchenko’s “Ovsyanki” (Silent Souls) (2010): A requiem on love, death, birds, water, and our past

110. Mexican director and screenplay-writer Alejandro González Iñárritu’s film “Biutiful“(2010) made in Spain: Preparing for death and communicating with the dead

111. Turkish director Semih Kaplanoğlu’s “Bal” (Honey) (2010): Joseph and Jacob relationship revisited in a contemporary scenario

112. Danish director Susanne Bier’s “Hævnen” (In a Better World) (2010): The importance of parents revisited in the contemporary world scenario

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